
Every release, event, and campaign needs a moving layer · the content that carries it through Reels, Stories, Shorts, and the feeds where audiences actually live. Visualizers, Spotify Canvas loops, concert reels, animated logos, event recap edits · still assets alone do not hold attention the way they used to.
Because the studio also designs the artwork and shoots the shows, the motion work starts with matching material. A concert reel cut from our own pit footage, graded to the artist's visual world. A Canvas loop built from the actual cover system, not a stock template. An event recap that matches the identity we built for it.
Everything is delivered in platform-native formats · the right ratios, the right lengths, ready to post.
Yes. Tour footage, event footage, phone footage, archive · we cut and grade from what exists. When the studio also shoots your shows or events, the pipeline gets even shorter.
An 8-second looping visual that plays on a track's Spotify page. Tracks with a Canvas hold attention measurably better than static art. It is a small asset with outsized presence · and it should come from the same visual system as the cover.
Platform-native everything: 9:16 for Reels, Stories and Shorts, 1:1 and 4:5 for feeds, Canvas spec for Spotify, plus masters for the archive.